Summary
60
Canular
Spring / Summer 2007
This issue underscores the great diversity of art practices that make use of or that are proximate to the hoax. At times stinging and at other times amusing, the minor and significant impostures presented herein trace the portrait of yet another irreverent attitude that is often prized in the art world and that sometimes still manages to rouse shock.
Editorial
Feature
Du canular considéré comme un des beaux-arts
Tout ça ne nous rendra pas la vérité
Sur les traces de Joseph Wagenbach
Blair Witch Project, Da Vinci Code : attrapes touristes
Robert Morin persifleur contemporain
Rechercher Victor Pellerin : un canular manqué ?
La Matière chante : fausses notes
Ludisme et ambiguïté dans le canular contemporain
Dévoiler le pot aux roses !
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Current Issue
Water
We now face a global water crisis. Warning signs are flashing everywhere about the increased desertification of the Earth, the industrial pollution of water resources, and the over-exploitation of aquifers. Faced with such a bleak portrait and the fact that environmental and humanitarian challenges are dependent on economic issues and interlinked policies, which are framed by complex laws, the influence of art is relatively modest. Nevertheless, alongside civic actions that we should actively do, artists can give back to water its symbolic and sacred value. Taking a poetical approach to water, the artists and theorists in this issue navigate between aesthetic forms, activist actions, and metaphor-rich analytical thinking. Adopting a resolutely critical perspective, the articles refer to artworks that try to raise awareness about water pollution and climate issues, envisage a restorative justice, and offer new horizons of hope.
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