Summary
105
New New Age
Spring / Summer 2022
Over the last few years, the occult has made a stunning comeback in art, manifested through a re-appropriation of esoterism, a holistic and beneficial approach, and a desire for social and ecological justice. The works in the portfolio New New Age stand out for their powerful intention to re-enchant the world, recognize the agency of matter, and campaign against the destruction of Earth and for all living things, by exploring what is luminous and performative in this philosophy and its rituals.
Editorial
Feature
Hectic cycles. A conversation with Chrysanne Stathacos
Drawing Down the Moon
New Symbologies: Symbols and Spirits in Works by Julian Yi-Zhong Hou and Zadie Xa
Mine, Mine, Mine, Heal, Heal, Heal
Creative Conjuring, Ritual, and Place: Amanda Amour-Lynx’s Skite’kmujuawti in Conversation with the Works of James Gardner, Alana Bartol, and Jamie Ross
Correspondences and Undecidable Occult in Contemporary Art
Fabrice Samyn: Where Mystic Materiality Meets Subconscious Projections
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Current Issue
Water
We now face a global water crisis. Warning signs are flashing everywhere about the increased desertification of the Earth, the industrial pollution of water resources, and the over-exploitation of aquifers. Faced with such a bleak portrait and the fact that environmental and humanitarian challenges are dependent on economic issues and interlinked policies, which are framed by complex laws, the influence of art is relatively modest. Nevertheless, alongside civic actions that we should actively do, artists can give back to water its symbolic and sacred value. Taking a poetical approach to water, the artists and theorists in this issue navigate between aesthetic forms, activist actions, and metaphor-rich analytical thinking. Adopting a resolutely critical perspective, the articles refer to artworks that try to raise awareness about water pollution and climate issues, envisage a restorative justice, and offer new horizons of hope.
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