Summary
79
Re-enactment
Fall 2013
The widespread occurence of rerun, repetition, revival, recycling, reconstruction, and other words prefixed by re liberally called upon in artistic discourse has propelled esse arts + opinions to question the specific meaning and critical import of practices that fall within the scope of "re-enactment".
Editorial
Feature
The Lure of Re-enactment and the Inauthentic Status of the Event
Re-enactment: False Evidence and Dangers
The Case for Art – Legal Re-enactment In Christian Patterson’s Redheaded Peckerwood
Re-enactments versus Re-enactments: European Artists Tackle Populist Aesthetics
A unique experience of re-enactment: DRAGOONED by Sandy Amerio
Living and dead bodies. Performing Ceauşescu, 1978-2007
Continuity Error: Mediatized Re-Enactment in the Work of Kerry Tribe
Remaking the Work
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Young Critics
Current Issue
Water
We now face a global water crisis. Warning signs are flashing everywhere about the increased desertification of the Earth, the industrial pollution of water resources, and the over-exploitation of aquifers. Faced with such a bleak portrait and the fact that environmental and humanitarian challenges are dependent on economic issues and interlinked policies, which are framed by complex laws, the influence of art is relatively modest. Nevertheless, alongside civic actions that we should actively do, artists can give back to water its symbolic and sacred value. Taking a poetical approach to water, the artists and theorists in this issue navigate between aesthetic forms, activist actions, and metaphor-rich analytical thinking. Adopting a resolutely critical perspective, the articles refer to artworks that try to raise awareness about water pollution and climate issues, envisage a restorative justice, and offer new horizons of hope.
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