Summary
68
Sabotage
Winter 2010
The dossier presented here addresses the diverse forms of sabotage perpetrated by artists, both within and outside of the art world. To experiment with the concepts explored in these pages, we’ve decided to play the same game and to sabotage issue no. 68, thereby shaking up the aesthetic comfort into which a magazine can all too easily settle. Including 3 portfolios.
Editorial
Feature
Portfolios
Off-Features
Persistance : La performance comme action pure chez Yang Zhichao et He Yunchang
Art Metropole. Le top 100, l’objet d’un art qui n’en voulait pas
Dancing With the Berdashe by Kent Monkman : How to Dance Differently
Sculpting Thoughts : An Interview With Erwin Wurm
Sonic Memorials: Strategies of Memory, Resistance, and Rupture in Virutorium
Le règne des vérités gnomiques
Columns
Reviews
Young Critics
Current Issue
Water
We now face a global water crisis. Warning signs are flashing everywhere about the increased desertification of the Earth, the industrial pollution of water resources, and the over-exploitation of aquifers. Faced with such a bleak portrait and the fact that environmental and humanitarian challenges are dependent on economic issues and interlinked policies, which are framed by complex laws, the influence of art is relatively modest. Nevertheless, alongside civic actions that we should actively do, artists can give back to water its symbolic and sacred value. Taking a poetical approach to water, the artists and theorists in this issue navigate between aesthetic forms, activist actions, and metaphor-rich analytical thinking. Adopting a resolutely critical perspective, the articles refer to artworks that try to raise awareness about water pollution and climate issues, envisage a restorative justice, and offer new horizons of hope.
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